A spiral in the sand a big one adorned
with surfboards wetsuits trailing from its mouth into the shallows
of some beach. This mysterious image came through as an email attachment.
This is the age we live in. These things happen. Still, the breath was
sucked out of me. The beauty of this sand spiral so profound I sat and
stared at it on the screen for a long time. Then two things occurred
to me. This connection was costing me money. And, I could have this
image too. I printed it out. My printer did a good job. Somehow, it
was no longer the same. I put the printout aside and let the image rest
in its fullness as a moment in the hard-drive of memory.
This was my first experience of such fertile ground , the
community arts project instigated by Regional Arts Victoria in twelve
communities across the state of Victoria. The spiral image named "Such
fragile ground" is now one of twelve postcards. Each a photograph
of an installation on the land. Each installation breath-taking in concept
and proportion. Each a landmark, a statement from that community: "this
is us". We, the others who are not "us", can all have
one to send or to hold or to stick up on the wall.
The set of twelve postcards was launched in 2001, Australias Centenary
year of Federation. Another nervous moment in our history when argument
raged as to how to celebrate one hundred years of unity and democracy
in an Australia still divided over national identity where many voices
still go unheard. Some, whose ancestors have walked this land for 40,000
years, argued with each other whether to stand with or apart from the
celebrations. Others, whose ancestors arrived in more recent times from
corners of the world far across the seas, argued over which pathways
emblazoned on the landscape could be celebrated, which exist, and which
are better left in the shadows of a past still under debate.
Twelve pockets of rural Victoria, in collaboration with Regional Arts
Victorias staff and Artistic Director Donna Jackson, and working
through a network of locally based Arts Councils, decided they would
celebrate the Centenary of Federation in their way. RAV spread the word
through the local Arts Councils that the project was up for offer in
their community. Twenty-seven communities put their hands up to host
a such fertile ground project. Twelve were chosen. An artist
and coordinator were employed from each area to consult the people of
their community, to come up with a design incorporating their ideas.
They then chose a patch of land, installed the image in the landscape
using volunteer labor and local materials of significance; employed
a photographer with a blimp to send a camera up into the sky to capture
the image from above. From this photograph postcards were printed. "This
is our place", the postcarded image declares."This is our
past, our present, and perhaps a way to our future. This is who we are."From
the dreaming up to post-carding, such fertile ground took
three years. In each patch across the state, issues facing the nation
in its centenary year, raised themselves in the discussions and planning
that led to the creation of the images. The struggle to define an identity
for each community contained within it the struggle to define ourselves
as a nation. Who belongs in this place? Whose place is it? What history
do we share? Whose are the voices that havent been heard? What
are the stories yet untold? How can we work as one community? What is
a community? Who cares?
The complete essay Us and Them and the Others
can be found
as part of the ABC Online project ...Such
Fertile Ground.